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	<id>tag:www.nabble.com,2006:forum-15658</id>
	<title>Nabble - PanoToolsNG</title>
	<updated>2008-09-05T16:04:58Z</updated>
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	<subtitle type="html">The PanoTools Next Generation list is the most active and vibrant place on the Internet to discuss PanoTools, panoramic imaging, and related technologies and techniques. If you're looking for information about PanoramaTools, front-ends such as PTGui, PTMac, or PTAssembler, or companion apps such as Pano2QTVR, this is a great first stop. Come on in and join us!
&lt;br&gt;&lt;br&gt;You can also search all post of the previous mailing lists in the &amp;nbsp;&lt;a href=&quot;http://www.panotools.org/mailarchive&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;PanoTools Mailarchive&lt;/a&gt;&amp;nbsp;or search the &lt;a href=&quot;http://wiki.panotools.org&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;PanoTools wiki&lt;/a&gt;&amp;nbsp;for interesting articles.</subtitle>
	
<entry>
	<id>tag:www.nabble.com,2006:post-19341010</id>
	<title>PTViewer to display Panorama in Chrome (Google Browser)</title>
	<published>2008-09-05T16:04:58Z</published>
	<updated>2008-09-05T16:04:58Z</updated>
	<author>
		<name>hans_loepfe-2</name>
	</author>
	<content type="html">Hello,
&lt;br&gt;does anybody know how to properly display panoramas using ptviewer in
&lt;br&gt;Chrome, that new browser Google has recently released?
&lt;br&gt;The url below shows samples of panoramas that display properly in IE7,
&lt;br&gt;Firefox2 &amp; 3, Opera9 but not in Chrome.
&lt;br&gt;&lt;a href=&quot;http://www.halo-photographs.com/summer-snow-2008/index.html&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.halo-photographs.com/summer-snow-2008/index.html&lt;/a&gt;&lt;br&gt;&amp;lt;&lt;a href=&quot;http://www.halo-photographs.com/summer-snow-2008/index.html&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.halo-photographs.com/summer-snow-2008/index.html&lt;/a&gt;&amp;gt;
&lt;br&gt;&lt;br&gt;Any feedback, suggestions or tips and tricks to avoid traps are
&lt;br&gt;appreciated.
&lt;br&gt;&lt;br&gt;Good light, Hans.
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;[Non-text portions of this message have been removed]
&lt;br&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19339374</id>
	<title>Tombs of Fatehpur Sikri tour</title>
	<published>2008-09-05T13:58:50Z</published>
	<updated>2008-09-05T13:58:50Z</updated>
	<author>
		<name>Roger Berry</name>
	</author>
	<content type="html">Here are some new panos I put together showing the tombs at Fatehpur 
&lt;br&gt;Sikri, India.
&lt;br&gt;Follow the hotspot &amp;quot;More Tombs&amp;quot; and when you get back outside click on 
&lt;br&gt;the hotspot &amp;quot;Tomb Front Door&amp;quot; and it will take you into the Tomb of 
&lt;br&gt;Sheikh Salim Chisti.
&lt;br&gt;&lt;a href=&quot;http://www.indiavrtours.com/fatehpur_sikri/fs_tombs4.html&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.indiavrtours.com/fatehpur_sikri/fs_tombs4.html&lt;/a&gt;&lt;br&gt;&lt;br&gt;Enjoy,
&lt;br&gt;Roger Berry
&lt;br&gt;&lt;br&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19337129</id>
	<title>Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-05T11:35:16Z</published>
	<updated>2008-09-05T11:35:16Z</updated>
	<author>
		<name>Peter Braatz-2</name>
	</author>
	<content type="html">--- In &lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19337129&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;PanoToolsNG@...&lt;/a&gt;, &amp;quot;bohonus&amp;quot; &amp;lt;bradford@...&amp;gt; wrote:
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Active D-Lighting works fine when using the camera in manual mode.
&lt;br&gt;&amp;gt;
&lt;br&gt;&lt;br&gt;Hi Bradford, you are right - i am wrong!
&lt;br&gt;Active D Lighting actually works fine - even in manual mode. I tried it the first time when i 
&lt;br&gt;had the camera new and i have no idea what went wrong but i did not see any change in the 
&lt;br&gt;image with or without active D-Lighing. And i did not try it since then... well: it works!
&lt;br&gt;Thanks for &amp;quot;letting me try it again&amp;quot; ;-)
&lt;br&gt;&lt;br&gt;Peter/360pixel.de
&lt;br&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19335135</id>
	<title>Grand Canyon spherical in HiRes</title>
	<published>2008-09-05T09:39:52Z</published>
	<updated>2008-09-05T09:39:52Z</updated>
	<author>
		<name>Juergen Schrader</name>
	</author>
	<content type="html">It seems quite a waste to fill almost half the picture with clear 
&lt;br&gt;blue sky but I can't help. Once you get used to this stuff you barely 
&lt;br&gt;want anything else.
&lt;br&gt;&lt;br&gt;Almost exactly one year has passed now since I took the trail down to 
&lt;br&gt;Skeleton Point and diving into the picture still brings the water 
&lt;br&gt;into my eyes. &amp;nbsp;
&lt;br&gt;&lt;br&gt;24.576 px wide, Canon 5D and a decent Zeiss lense.
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://schrader-air.de/panorama/grandcanyon/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://schrader-air.de/panorama/grandcanyon/&lt;/a&gt;&lt;br&gt;&lt;br&gt;Enjoy
&lt;br&gt;Jürgen
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19334564</id>
	<title>Outstanding pano sites</title>
	<published>2008-09-05T09:12:01Z</published>
	<updated>2008-09-05T09:12:01Z</updated>
	<author>
		<name>gobrien1911</name>
	</author>
	<content type="html">Hi, all:
&lt;br&gt;&lt;br&gt;I am looking for input... I would like to hear from you about sites that present panos well. I'm 
&lt;br&gt;not as much interested in the panos themselves, but in the presentation. I recall some 
&lt;br&gt;discussions here and there, and I remember looking at some cool sites - but I had to delete a 
&lt;br&gt;long-standing browser history recently, and I can't seem to come up with the right keywords 
&lt;br&gt;to find them in a post archive search.
&lt;br&gt;&lt;br&gt;Thanks in advance for your opinions!
&lt;br&gt;&lt;br&gt;Best regards,
&lt;br&gt;Gary
&lt;br&gt;-
&lt;br&gt;-
&lt;br&gt;Gary O'Brien
&lt;br&gt;Photographer
&lt;br&gt;Charlotte, NC USA
&lt;br&gt;&lt;a href=&quot;http://garyobrien.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://garyobrien.com&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://panoramist.blogspot.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://panoramist.blogspot.com&lt;/a&gt;&lt;br&gt;IM: &lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19334564&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;garyobrien1@...&lt;/a&gt;
&lt;br&gt;&lt;br&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19334451</id>
	<title>Res: Res: auto play flash cd in fullscreen ?</title>
	<published>2008-09-05T09:07:09Z</published>
	<updated>2008-09-05T09:07:09Z</updated>
	<author>
		<name>Augusto Miranda Martins</name>
	</author>
	<content type="html">I forgot to say I've done it on Windows only.
&lt;br&gt;I don't know if Linux and Mac have something like this. Though I'm pretty sure every Windows version since 95 do have CD autostart functionality.
&lt;br&gt;&lt;br&gt;I use the projector executable Flash gives me (it can create projectors for Windows and Mac as well).
&lt;br&gt;If there was some &amp;quot;trojan&amp;quot; software inside the CD, being fullscreen or not wouldn't make any difference at all, the whole &amp;quot;bad&amp;quot; stuff could be easily hidden even if the pano was in a window. Also, using Actionscript the programmer can make the SWF go fullscreen anytime he wants.
&lt;br&gt;&lt;br&gt;&lt;br&gt;But I hope my clients trust me.
&lt;br&gt;By the way, I always give the option to switch to a window mode.
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Augusto
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;----- Mensagem original ----
&lt;br&gt;De: Lars O. Grobe &amp;lt;&lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19334451&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;grobe@...&lt;/a&gt;&amp;gt;
&lt;br&gt;Para: &lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19334451&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;PanoToolsNG@...&lt;/a&gt;
&lt;br&gt;Enviadas: Sexta-feira, 5 de Setembro de 2008 11:53:33
&lt;br&gt;Assunto: Re: Res: [PanoToolsNG] auto play flash cd in fullscreen ?
&lt;br&gt;&lt;br&gt;&amp;gt; Yes, it's possible, I've done it.
&lt;br&gt;&lt;br&gt;Are you sure? I hope that on my Linux and Mac installations, a CD would 
&lt;br&gt;never be &amp;quot;autostarted&amp;quot; (except if it is a boot CD and I reboot the 
&lt;br&gt;machine) and certainly not in full screen (this is a far too easy way of 
&lt;br&gt;e.g. faking a log-in prompt as shown when resuming from the 
&lt;br&gt;screen-saver, and doing not-so-nice things with user account data)... I 
&lt;br&gt;know that there was something like a autostart function on some Windows 
&lt;br&gt;versions, but as far this was a very platform-specific &amp;quot;feature&amp;quot;.
&lt;br&gt;&lt;br&gt;CU Lars.
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; Novos endereços, o Yahoo! que você conhece. Crie um email novo com a sua cara @ymail.com ou @rocketmail.com.
&lt;br&gt;&lt;a href=&quot;http://br.new.mail.yahoo.com/addresses&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://br.new.mail.yahoo.com/addresses&lt;/a&gt;&lt;br&gt;&lt;br&gt;[Non-text portions of this message have been removed]
&lt;br&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19334100</id>
	<title>Re: Re: ... another aerial pano</title>
	<published>2008-09-05T08:50:09Z</published>
	<updated>2008-09-05T08:50:09Z</updated>
	<author>
		<name>Ken Warner-3</name>
	</author>
	<content type="html">Hi Bernd,
&lt;br&gt;&lt;br&gt;Your technique is excellent. &amp;nbsp;A marrage of art and technology.
&lt;br&gt;&lt;br&gt;Keep your airspeed up...
&lt;br&gt;&lt;br&gt;Ken
&lt;br&gt;&lt;br&gt;Bernd wrote:
&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; @ Ken Warner:
&lt;br&gt;&amp;gt; thatâ€™s a real good question, sorry for laughing ;-)
&lt;br&gt;&amp;gt; Seriously, the flight deck shows the current speed (85 mp/h) and
&lt;br&gt;&amp;gt; thatâ€™s good , cause otherwise we would do a nosedive ;-)
&lt;br&gt;&amp;gt; Of Course I understand your question.. Due to the speed, there should
&lt;br&gt;&amp;gt; be lots of parallax.
&lt;br&gt;&amp;gt; To avoid this you can go one like this.
&lt;br&gt;&amp;gt; Shot the pic's quick but also pointedly every 90Â°. Let's just say it
&lt;br&gt;&amp;gt; takes 8 seconds, that's okay.
&lt;br&gt;&amp;gt; When stitching the pictures the controlpoints shout only be set on 
&lt;br&gt;&amp;gt; the plane. The landscape is far away enough so lots of things get
&lt;br&gt;&amp;gt; corrected via the stitcher. (Since years Iâ€™m very happy with PTGui)
&lt;br&gt;&amp;gt; All other aberration you can adjust via Layertechnics with a graphical
&lt;br&gt;&amp;gt; software subsequently. (I use PS CS2).
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; @ JeanPierre Lavoie:
&lt;br&gt;&amp;gt; For this pano I used a Canon400D with the Sigma 8mm/F3,5, a homemade
&lt;br&gt;&amp;gt; bracket, a central pillar from a tripod, a cable release and lot's of
&lt;br&gt;&amp;gt; crepe tape ;-)
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; all the best
&lt;br&gt;&amp;gt; Bernd
&lt;br&gt;&amp;gt; &lt;a href=&quot;http://www.360Bilder.de&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.360Bilder.de&lt;/a&gt;&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt;&amp;gt;--- In &lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19334100&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;PanoToolsNG@...&lt;/a&gt;, Ken Warner ...&amp;gt; wrote:
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;How do you get the plane to stop in mid air long enough to take
&lt;br&gt;&amp;gt;&amp;gt;a sequence????
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;--- In &lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19334100&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;PanoToolsNG@...&lt;/a&gt;, JeanPierre Lavoie...&amp;gt; wrote:
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;Fantastic shot Bernd! &amp;nbsp;What camera and lens do you use, the image is
&lt;br&gt;&amp;gt;&amp;gt;very sharp.
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; 
&lt;/div&gt;&lt;br&gt;------------------------------------
&lt;br&gt;&lt;br&gt;-- 
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<entry>
	<id>tag:www.nabble.com,2006:post-19333046</id>
	<title>Re: Res: auto play flash cd in fullscreen ?</title>
	<published>2008-09-05T07:53:33Z</published>
	<updated>2008-09-05T07:53:33Z</updated>
	<author>
		<name>Lars O. Grobe</name>
	</author>
	<content type="html">&amp;nbsp;&amp;gt; Yes, it's possible, I've done it.
&lt;br&gt;&lt;br&gt;Are you sure? I hope that on my Linux and Mac installations, a CD would 
&lt;br&gt;never be &amp;quot;autostarted&amp;quot; (except if it is a boot CD and I reboot the 
&lt;br&gt;machine) and certainly not in full screen (this is a far too easy way of 
&lt;br&gt;e.g. faking a log-in prompt as shown when resuming from the 
&lt;br&gt;screen-saver, and doing not-so-nice things with user account data)... I 
&lt;br&gt;know that there was something like a autostart function on some Windows 
&lt;br&gt;versions, but as far this was a very platform-specific &amp;quot;feature&amp;quot;.
&lt;br&gt;&lt;br&gt;CU Lars.
&lt;br&gt;</content>
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<entry>
	<id>tag:www.nabble.com,2006:post-19333120</id>
	<title>Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-05T07:34:44Z</published>
	<updated>2008-09-05T07:34:44Z</updated>
	<author>
		<name>Keith Martin-2</name>
	</author>
	<content type="html">Sometime around 5/9/08 (at 10:59 +0100) Matthew Rogers said:
&lt;br&gt;&lt;br&gt;&amp;gt;Unless you absolutely need the increased resolution the D300 offers
&lt;br&gt;&amp;gt;you'd be better off with the S5Pro. I can still instantly spot an
&lt;br&gt;&amp;gt;S5Pro thumbnail on my desktop amongst dozens of others. Regardless of
&lt;br&gt;&amp;gt;what everyone says you simply cannot match an S5Pro or S3Pro image via
&lt;br&gt;&amp;gt;the RAW conversion process from other cameras.
&lt;br&gt;&lt;br&gt;I don't have the range of experience with other cameras that Matt and 
&lt;br&gt;some of the rest of you have, but I am very happy indeed with the 
&lt;br&gt;dynamic range of my S5Pro. I bought it after some very convincing 
&lt;br&gt;advice from Matt, and I haven't regretted it even for a second.
&lt;br&gt;&lt;br&gt;The only two flies in the ointment, as far as I'm concerned, are the 
&lt;br&gt;relative lack of *proper* support for the camera's RAW output and 
&lt;br&gt;Fuji's trash-worthy bundled software.
&lt;br&gt;Adone Camera RAW and some other third-party tools see the RAW files 
&lt;br&gt;as 6.1MP rather than 12.2MP images, misunderstanding the way the 
&lt;br&gt;SuperCCD sensor structure works. However, Bibble Pro supports the 
&lt;br&gt;format properly and does an excellent job, saving me from having to 
&lt;br&gt;work with Fuji's software.
&lt;br&gt;&lt;br&gt;In short, believe the hype: the Fuji S5Pro is everything that Matt says.
&lt;br&gt;&lt;br&gt;k
&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/More-thoughts-on-the-Nikon-D300%27s-Active-D-Lighting-tp19324969p19333120.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19332567</id>
	<title>Res: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-05T07:33:20Z</published>
	<updated>2008-09-05T07:33:20Z</updated>
	<author>
		<name>Augusto Miranda Martins</name>
	</author>
	<content type="html">Great work Willy,
&lt;br&gt;&lt;br&gt;I really liked the way shadows/highlight were recovered on these panos.
&lt;br&gt;Shadows recovery is just incredible and look very natural under this harsh sun.
&lt;br&gt;&lt;br&gt;&lt;br&gt;Augusto Miranda
&lt;br&gt;www.onzeonze.com.br
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;----- Mensagem original ----
&lt;br&gt;De: Willy Kaemena &amp;lt;&lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19332567&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;panokaemena@...&lt;/a&gt;&amp;gt;
&lt;br&gt;Para: &lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19332567&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;PanoToolsNG@...&lt;/a&gt;
&lt;br&gt;Enviadas: Sexta-feira, 5 de Setembro de 2008 6:41:44
&lt;br&gt;Assunto: Re: [PanoToolsNG] More thoughts on the Nikon D300's Active D-Lighting
&lt;br&gt;&lt;br&gt;I have my D300 &amp;nbsp;now since Dec. 2007 already &amp;nbsp;and I think the cam is &amp;nbsp;
&lt;br&gt;doing well on shadows &amp;nbsp;without ADR &amp;nbsp;but with a bit shadows/ highlight &amp;nbsp;
&lt;br&gt;applied in PS on the final equirect in TIFF prior to sharpening.
&lt;br&gt;&lt;br&gt;see here some examples &amp;nbsp;all done with 4 shots only &amp;nbsp;and without &amp;nbsp;
&lt;br&gt;bracketing
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://homepage.mac.com/wkaemena/FSPanos/Menu432.html&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://homepage.mac.com/wkaemena/FSPanos/Menu432.html&lt;/a&gt;&lt;br&gt;&lt;br&gt;Willy Kaemena
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://homepage.mac.com/wkaemena/FSPanos/Menu268.html&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://homepage.mac.com/wkaemena/FSPanos/Menu268.html&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://bremen.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bremen.360cities.net/&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://syria.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://syria.360cities.net/&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://lisbon.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://lisbon.360cities.net/&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;On Sep 5, 2008, at 7:47, AYRTON wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; PerfectI must agree with Willy for sure
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; best
&lt;br&gt;&amp;gt; AYRTON
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; On Fri, Sep 5, 2008 at 2:24 AM, &amp;lt;&lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19332567&amp;i=2&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;panokaemena@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; My personal opinion about &amp;quot;ADR&amp;quot; is better not to use it, in order
&lt;br&gt;&amp;gt; &amp;gt; to get an unaltered RAW which can be tweaked later in any way.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; There are two ways for me to lighten shadows if required
&lt;br&gt;&amp;gt; &amp;gt; - PS Raw converter &amp;quot; Fill light&amp;quot;
&lt;br&gt;&amp;gt; &amp;gt; - PS Shadow/Highlight function.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Willy Kaemena
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://homepage.mac.com/wkaemena/FSPanos/Menu268.html&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://homepage.mac.com/wkaemena/FSPanos/Menu268.html&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://bremen.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bremen.360cities.net/&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://syria.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://syria.360cities.net/&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://lisbon.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://lisbon.360cities.net/&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; On Sep 5, 2008, at 7:05, Roger D. Williams wrote:
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; ...or as Ken Rockwell prefers to call it, ADR.
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; It seems that the ADR function selected using the shooting
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; memory IS active and DOES produce noticeably brighter shadow
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; areas, effectively enhancing the ability to capture images
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; of subjects with a wide dynamic range. To my mind, this
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; makes the resulting images have a COMPRESSED dynamic range,
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; but everyone seems to apply the term that actually refers
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; to the subject to the IMAGE of the subject instead...
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; I'll abandon that quibble, though, since it's preety clear
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; what we mean by &amp;quot;high dynamic range.&amp;quot;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; There seem to be two things going on. The exposure as a
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; whole is shifted to a lower value than would normally be
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; set, e.g., by the exposure program, giving more &amp;quot;head
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; room&amp;quot; above the highlights, while at the same time the
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; darker areas are slightly boosted.
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; The visibility of this effect varies quite widely for
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; different subjects, but at &amp;quot;low&amp;quot; or &amp;quot;normal&amp;quot; settings it
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; is fairly subtle. I now use &amp;quot;high&amp;quot; as my default.
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; The corresponding ADR function available via the &amp;quot;retouch&amp;quot;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; menu is a fiercer beast, and produces very clear effects,
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; sometimes overdoing it. For one thing it immediately uses
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; up any headroom above highlights. And if there were
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; already a few &amp;quot;blown&amp;quot; areas, these will increase in size
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; a little. The shadow areas can also tend to become too
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; &amp;quot;thin&amp;quot; and grey. I reach for the black definition slider...
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; I have yet to do any stitching with/without these functions
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; and will report my experiences if and when I can make
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; sense of them.
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; You might like to note that separate settings for brightness
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; and contrast are not available if you choose one of the
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; Active D-Lighting options. D-lighting makes its own choices
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; for these.
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; Roger W.
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; --
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; Work: www.adex-japan.com
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; Play: www.usefilm.com/member/roger
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; [Non-text portions of this message have been removed]
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; ------------------------------------
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; --
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; -- 
&lt;br&gt;&amp;gt; ------------
&lt;br&gt;&amp;gt; | A Y R |
&lt;br&gt;&amp;gt; | T O N |
&lt;br&gt;&amp;gt; ------------
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; + 55 21 9982 6313
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; &lt;a href=&quot;http://ayrton360.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://ayrton360.com&lt;/a&gt;&lt;br&gt;&amp;gt; &lt;a href=&quot;http://rio.360cities.net&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://rio.360cities.net&lt;/a&gt;&lt;br&gt;&amp;gt; &lt;a href=&quot;http://vrfolio.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://vrfolio.com&lt;/a&gt;&lt;br&gt;&amp;gt; &lt;a href=&quot;http://ayrton.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://ayrton.com&lt;/a&gt;&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; [Non-text portions of this message have been removed]
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; 
&lt;/div&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Willy Kaemena
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://homepage.mac.com/wkaemena/FSPanos/Menu268.html&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://homepage.mac.com/wkaemena/FSPanos/Menu268.html&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://bremen.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bremen.360cities.net/&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://syria.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://syria.360cities.net/&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://lisbon.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://lisbon.360cities.net/&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;[Non-text portions of this message have been removed]
&lt;br&gt;&lt;br&gt;&lt;br&gt;------------------------------------
&lt;br&gt;&lt;br&gt;-- 
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; Novos endereços, o Yahoo! que você conhece. Crie um email novo com a sua cara @ymail.com ou @rocketmail.com.
&lt;br&gt;&lt;a href=&quot;http://br.new.mail.yahoo.com/addresses&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://br.new.mail.yahoo.com/addresses&lt;/a&gt;&lt;br&gt;&lt;br&gt;[Non-text portions of this message have been removed]
&lt;br&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/Res%3A-More-thoughts-on-the-Nikon-D300%27s-Active-D-Lighting-tp19332567p19332567.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19332536</id>
	<title>Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-05T07:31:20Z</published>
	<updated>2008-09-05T07:31:20Z</updated>
	<author>
		<name>bohonus</name>
	</author>
	<content type="html">&lt;br&gt;&amp;gt; &amp;gt; It is called &amp;quot;active&amp;quot; because the camera's light meter and image
&lt;br&gt;&amp;gt; &amp;gt; historgram reflect the results of the applied ADL while you are
&lt;br&gt;shooting.
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; I see. That makes sense. How do you know all these things? I'm
&lt;br&gt;impressed.
&lt;br&gt;&amp;gt; Of course, give me a few more days and I may learn a bit more...
&lt;br&gt;&amp;lt;wry grin&amp;gt;
&lt;br&gt;&lt;br&gt;&lt;br&gt;I have shot panoramas nearly every day with the Nikon D300. I have had
&lt;br&gt;the camera since November of last year.
&lt;br&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/More-thoughts-on-the-Nikon-D300%27s-Active-D-Lighting-tp19324969p19332536.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19332478</id>
	<title>Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-05T07:28:21Z</published>
	<updated>2008-09-05T07:28:21Z</updated>
	<author>
		<name>bohonus</name>
	</author>
	<content type="html">--- In &lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19332478&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;PanoToolsNG@...&lt;/a&gt;, &amp;quot;Peter Braatz&amp;quot; &amp;lt;panotools@...&amp;gt; wrote:
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Hi Roger,
&lt;br&gt;&amp;gt; i too was hoping to use &amp;quot;Active D-Lighting&amp;quot; on my D300 when it
&lt;br&gt;arrived to achieve a higher 
&lt;br&gt;&amp;gt; dynamic range in a single image. BUT - to my understanding - it can
&lt;br&gt;or will not be used if 
&lt;br&gt;&amp;gt; you take your images with manually setting the aperture and speed :-(
&lt;br&gt;&amp;gt; The camera measures the scene before recording the image (dynamic
&lt;br&gt;range, speed + 
&lt;br&gt;&amp;gt; aperture) and will choose a (hopefully) right decision to conserve
&lt;br&gt;the maximum of details of 
&lt;br&gt;&amp;gt; that scene. The camera can not do that when it is set to &amp;quot;M&amp;quot; (manual)...
&lt;br&gt;&amp;gt; So i rarely use that feature with panoramas - sigh...
&lt;br&gt;&lt;br&gt;&lt;br&gt;Active D-Lighting works fine when using the camera in manual mode.
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/More-thoughts-on-the-Nikon-D300%27s-Active-D-Lighting-tp19324969p19332478.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19332377</id>
	<title>Res: auto play flash cd in fullscreen ?</title>
	<published>2008-09-05T07:23:44Z</published>
	<updated>2008-09-05T07:23:44Z</updated>
	<author>
		<name>Augusto Miranda Martins</name>
	</author>
	<content type="html">Yes, it's possible, I've done it.
&lt;br&gt;The way I did was embedding the pano into another SWF file that handles the fullscreen functionality, going fullscreen as soon as it's loaded.
&lt;br&gt;&lt;br&gt;Hope this helps.
&lt;br&gt;&lt;br&gt;Cheers,
&lt;br&gt;&lt;br&gt;Augusto Miranda
&lt;br&gt;www.onzeonze.com.br
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;----- Mensagem original ----
&lt;br&gt;De: Jeffrey Martin &amp;lt;&lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19332377&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;360cities@...&lt;/a&gt;&amp;gt;
&lt;br&gt;Para: panotoolsng &amp;lt;&lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19332377&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;PANOtoolsng@...&lt;/a&gt;&amp;gt;
&lt;br&gt;Enviadas: Sexta-feira, 5 de Setembro de 2008 11:02:24
&lt;br&gt;Assunto: [PanoToolsNG] auto play flash cd in fullscreen ?
&lt;br&gt;&lt;br&gt;HI,
&lt;br&gt;&lt;br&gt;I want to make a standalone autoplay cd with panos in flash. and i want it
&lt;br&gt;to go fullscreen right away.
&lt;br&gt;&lt;br&gt;is this possible? or does it have to use the browser and prompt the user to
&lt;br&gt;click fullscreen?
&lt;br&gt;&lt;br&gt;thanks,
&lt;br&gt;Jeffrey
&lt;br&gt;&lt;br&gt;&lt;br&gt;Jeffrey Martin
&lt;br&gt;www.360cities.net - The World in Virtual Reality
&lt;br&gt;tel. +420 608 076 502 / skype jeffrey.s.martin
&lt;br&gt;&lt;br&gt;&lt;br&gt;[Non-text portions of this message have been removed]
&lt;br&gt;&lt;br&gt;&lt;br&gt;------------------------------------
&lt;br&gt;&lt;br&gt;-- 
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; Novos endereços, o Yahoo! que você conhece. Crie um email novo com a sua cara @ymail.com ou @rocketmail.com.
&lt;br&gt;&lt;a href=&quot;http://br.new.mail.yahoo.com/addresses&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://br.new.mail.yahoo.com/addresses&lt;/a&gt;&lt;br&gt;&lt;br&gt;[Non-text portions of this message have been removed]
&lt;br&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19332224</id>
	<title>Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-05T07:15:49Z</published>
	<updated>2008-09-05T07:15:49Z</updated>
	<author>
		<name>Keith Martin-2</name>
	</author>
	<content type="html">Sometime around 5/9/08 (at 14:55 +0900) Roger D. Williams said:
&lt;br&gt;&lt;br&gt;&amp;gt;Well, you can still get RAW (ADR can be coupled with the
&lt;br&gt;&amp;gt;RAW shooting option) and tweak it later if you need to.
&lt;br&gt;&lt;br&gt;So does this effectively provide preset image adjustments alongside 
&lt;br&gt;the actual RAW captured values? Or is it actually manipulating the 
&lt;br&gt;RAW values directly in some way? Is it possible to remove/discard 
&lt;br&gt;these changes afterwards when processing the RAW files?
&lt;br&gt;&lt;br&gt;k
&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/More-thoughts-on-the-Nikon-D300%27s-Active-D-Lighting-tp19324969p19332224.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19331918</id>
	<title>auto play flash cd in fullscreen ?</title>
	<published>2008-09-05T07:02:24Z</published>
	<updated>2008-09-05T07:02:24Z</updated>
	<author>
		<name>Jeffrey Martin-3</name>
	</author>
	<content type="html">HI,
&lt;br&gt;&lt;br&gt;I want to make a standalone autoplay cd with panos in flash. and i want it
&lt;br&gt;to go fullscreen right away.
&lt;br&gt;&lt;br&gt;is this possible? or does it have to use the browser and prompt the user to
&lt;br&gt;click fullscreen?
&lt;br&gt;&lt;br&gt;thanks,
&lt;br&gt;Jeffrey
&lt;br&gt;&lt;br&gt;&lt;br&gt;Jeffrey Martin
&lt;br&gt;www.360cities.net - The World in Virtual Reality
&lt;br&gt;tel. +420 608 076 502 / skype jeffrey.s.martin
&lt;br&gt;&lt;br&gt;&lt;br&gt;[Non-text portions of this message have been removed]
&lt;br&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/auto-play-flash-cd-in-fullscreen---tp19331918p19331918.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19329382</id>
	<title>Re: ... another aerial pano</title>
	<published>2008-09-05T04:33:26Z</published>
	<updated>2008-09-05T04:33:26Z</updated>
	<author>
		<name>Bernd Dohrmann</name>
	</author>
	<content type="html">@ Ken Warner:
&lt;br&gt;thatâs a real good question, sorry for laughing ;-)
&lt;br&gt;Seriously, the flight deck shows the current speed (85 mp/h) and
&lt;br&gt;thatâs good , cause otherwise we would do a nosedive ;-)
&lt;br&gt;Of Course I understand your question.. Due to the speed, there should
&lt;br&gt;be lots of parallax.
&lt;br&gt;To avoid this you can go one like this.
&lt;br&gt;Shot the pic's quick but also pointedly every 90Â°. Let's just say it
&lt;br&gt;takes 8 seconds, that's okay.
&lt;br&gt;When stitching the pictures the controlpoints shout only be set on 
&lt;br&gt;the plane. The landscape is far away enough so lots of things get
&lt;br&gt;corrected via the stitcher. (Since years Iâm very happy with PTGui)
&lt;br&gt;All other aberration you can adjust via Layertechnics with a graphical
&lt;br&gt;software subsequently. (I use PS CS2).
&lt;br&gt;&lt;br&gt;@ JeanPierre Lavoie:
&lt;br&gt;For this pano I used a Canon400D with the Sigma 8mm/F3,5, a homemade
&lt;br&gt;bracket, a central pillar from a tripod, a cable release and lot's of
&lt;br&gt;crepe tape ;-)
&lt;br&gt;&lt;br&gt;all the best
&lt;br&gt;Bernd
&lt;br&gt;&lt;a href=&quot;http://www.360Bilder.de&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.360Bilder.de&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt;--- In &lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19329382&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;PanoToolsNG@...&lt;/a&gt;, Ken Warner ...&amp;gt; wrote:
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; How do you get the plane to stop in mid air long enough to take
&lt;br&gt;&amp;gt; a sequence????
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt;--- In &lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19329382&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;PanoToolsNG@...&lt;/a&gt;, JeanPierre Lavoie...&amp;gt; wrote:
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Fantastic shot Bernd! &amp;nbsp;What camera and lens do you use, the image is
&lt;br&gt;&amp;gt; very sharp.
&lt;br&gt;&amp;gt;
&lt;/div&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/...-another-aerial-pano-tp19305297p19329382.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19328794</id>
	<title>Camera with Active ISO</title>
	<published>2008-09-05T03:49:26Z</published>
	<updated>2008-09-05T03:49:26Z</updated>
	<author>
		<name>Ingemar Bergmark</name>
	</author>
	<content type="html">I'd love to see a camera in the future that would have what I 
&lt;br&gt;call &amp;quot;Active ISO&amp;quot;.
&lt;br&gt;&lt;br&gt;With Active ISO activated, you would set a base ISO as usual, and then 
&lt;br&gt;select a program for Highlight recovery, Shadow recovery or both.
&lt;br&gt;When taking a picture, the camera would actively alter the ISO setting 
&lt;br&gt;of each photosite on the sensor to match the selected program.
&lt;br&gt;&lt;br&gt;I'm not sure if I'm completely missing something here, but in my mind 
&lt;br&gt;it must be better than anything out there yet...
&lt;br&gt;&lt;br&gt;/ Ingemar
&lt;br&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/Camera-with-Active-ISO-tp19328794p19328794.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19328709</id>
	<title>Recherche un photographe panoramiste sur Paris et sa région</title>
	<published>2008-09-05T03:40:43Z</published>
	<updated>2008-09-05T03:40:43Z</updated>
	<author>
		<name>alterniko</name>
	</author>
	<content type="html">/// URGENT ///
&lt;br&gt;&lt;br&gt;Nous recherchons un photographe panoramiste pour une session de
&lt;br&gt;shooting de 2 heures, le 27 septembre entre 18h30 et 20h30, vers Roissy.
&lt;br&gt;Il s'agit de réaliser quelques panoramas à 360° d'une grande salle de
&lt;br&gt;mariage.
&lt;br&gt;Les qualités requises pour réaliser ce reportage sont décrites ci-dessous.
&lt;br&gt;&lt;br&gt;Merci, de me faire votre offre par e-mail : nicolas.salin ((at)) gmail.com
&lt;br&gt;&lt;br&gt;- - - - - - - - - - - - - - -
&lt;br&gt;&lt;br&gt;Notre société recherche dans le cadre de missions ponctuelles, un
&lt;br&gt;photographe pour réaliser des photographies panoramiques à 360° dans
&lt;br&gt;des hôtels haut de gamme, sur Paris et sa région.
&lt;br&gt;&lt;br&gt;De part la spécificité de notre clientèle, nous recherchons une
&lt;br&gt;personne maitrisant :
&lt;br&gt;- la prise de vue en intérieur dans des conditions de lumières faibles
&lt;br&gt;- le mode bracketing (multi-exposition) pour la gestion des lumières
&lt;br&gt;extrêmes (fenêtres, etc .. )
&lt;br&gt;- le stitching, le fusing (Enfuse), la gestion des couleurs,  , bref,
&lt;br&gt;tout ce qui est nécessaire pour réaliser des panos de top-qualité ! wink
&lt;br&gt;&lt;br&gt;Les photographies produites doivent mesurer au minimum 8500px de large
&lt;br&gt;au format equirectangulaire, mais si votre matériel fait mieux, tant
&lt;br&gt;mieux !
&lt;br&gt;&lt;br&gt;Si vous avez une voiture, cela peut-être un plus !
&lt;br&gt;&lt;br&gt;Contact : Nicolas SALIN &amp;gt;&amp;gt; nicolas.salin ((at)) gmail.com
&lt;br&gt;&lt;br&gt;Notre site : www.clicknview.fr
&lt;br&gt;&lt;br&gt;- - - - - - - - - - - - - - -
&lt;br&gt;&lt;br&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19328221</id>
	<title>Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-05T02:59:27Z</published>
	<updated>2008-09-05T02:59:27Z</updated>
	<author>
		<name>360 Precision</name>
	</author>
	<content type="html">&amp;gt; If it effectively increases the dynamic range, that seems to
&lt;br&gt;&amp;gt; be a strong point in its favour. I hesitated over whether to
&lt;br&gt;&amp;gt; get a Fujipro S5 (technology that is two year's old) because
&lt;br&gt;&amp;gt; of the advantage in dynamic range.
&lt;br&gt;&amp;gt;
&lt;br&gt;&lt;br&gt;This is a common misconception with D-Lighting and also the bit depth &amp;nbsp;
&lt;br&gt;of the DA conversion process. The dynamic range of an image is &amp;nbsp;
&lt;br&gt;captured at the sensor level. You can use as many tricks as you want &amp;nbsp;
&lt;br&gt;to try and smooth out the problem of limited dynamic range but you &amp;nbsp;
&lt;br&gt;can't invent new pixels. The dynamic range of both the d300 and d700 &amp;nbsp;
&lt;br&gt;are noticeably better than the d200 but no camera can match the S5Pro &amp;nbsp;
&lt;br&gt;nor can they match the tonal range or colours.
&lt;br&gt;&lt;br&gt;Unless you absolutely need the increased resolution the D300 offers &amp;nbsp;
&lt;br&gt;you'd be better off with the S5Pro. I can still instantly spot an &amp;nbsp;
&lt;br&gt;S5Pro thumbnail on my desktop amongst dozens of others. Regardless of &amp;nbsp;
&lt;br&gt;what everyone says you simply cannot match an S5Pro or S3Pro image via &amp;nbsp;
&lt;br&gt;the RAW conversion process from other cameras.
&lt;br&gt;&lt;br&gt;Matt
&lt;br&gt;&lt;br&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/More-thoughts-on-the-Nikon-D300%27s-Active-D-Lighting-tp19324969p19328221.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19328015</id>
	<title>Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-05T02:41:44Z</published>
	<updated>2008-09-05T02:41:44Z</updated>
	<author>
		<name>panokaemena</name>
	</author>
	<content type="html">I have my D300 &amp;nbsp;now since Dec. 2007 already &amp;nbsp;and I think the cam is &amp;nbsp;
&lt;br&gt;doing well on shadows &amp;nbsp;without ADR &amp;nbsp;but with a bit shadows/ highlight &amp;nbsp;
&lt;br&gt;applied in PS on the final equirect in TIFF prior to sharpening.
&lt;br&gt;&lt;br&gt;see here some examples &amp;nbsp;all done with 4 shots only &amp;nbsp;and without &amp;nbsp;
&lt;br&gt;bracketing
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://homepage.mac.com/wkaemena/FSPanos/Menu432.html&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://homepage.mac.com/wkaemena/FSPanos/Menu432.html&lt;/a&gt;&lt;br&gt;&lt;br&gt;Willy Kaemena
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://homepage.mac.com/wkaemena/FSPanos/Menu268.html&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://homepage.mac.com/wkaemena/FSPanos/Menu268.html&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://bremen.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bremen.360cities.net/&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://syria.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://syria.360cities.net/&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://lisbon.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://lisbon.360cities.net/&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;On Sep 5, 2008, at 7:47, AYRTON wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; PerfectI must agree with Willy for sure
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; best
&lt;br&gt;&amp;gt; AYRTON
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; On Fri, Sep 5, 2008 at 2:24 AM, &amp;lt;&lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19328015&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;panokaemena@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; My personal opinion about &amp;quot;ADR&amp;quot; is better not to use it, in order
&lt;br&gt;&amp;gt; &amp;gt; to get an unaltered RAW which can be tweaked later in any way.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; There are two ways for me to lighten shadows if required
&lt;br&gt;&amp;gt; &amp;gt; - PS Raw converter &amp;quot; Fill light&amp;quot;
&lt;br&gt;&amp;gt; &amp;gt; - PS Shadow/Highlight function.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Willy Kaemena
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://homepage.mac.com/wkaemena/FSPanos/Menu268.html&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://homepage.mac.com/wkaemena/FSPanos/Menu268.html&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://bremen.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bremen.360cities.net/&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://syria.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://syria.360cities.net/&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt; &lt;a href=&quot;http://lisbon.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://lisbon.360cities.net/&lt;/a&gt;&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; On Sep 5, 2008, at 7:05, Roger D. Williams wrote:
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; ...or as Ken Rockwell prefers to call it, ADR.
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; It seems that the ADR function selected using the shooting
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; memory IS active and DOES produce noticeably brighter shadow
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; areas, effectively enhancing the ability to capture images
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; of subjects with a wide dynamic range. To my mind, this
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; makes the resulting images have a COMPRESSED dynamic range,
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; but everyone seems to apply the term that actually refers
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; to the subject to the IMAGE of the subject instead...
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; I'll abandon that quibble, though, since it's preety clear
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; what we mean by &amp;quot;high dynamic range.&amp;quot;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; There seem to be two things going on. The exposure as a
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; whole is shifted to a lower value than would normally be
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; set, e.g., by the exposure program, giving more &amp;quot;head
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; room&amp;quot; above the highlights, while at the same time the
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; darker areas are slightly boosted.
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; The visibility of this effect varies quite widely for
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; different subjects, but at &amp;quot;low&amp;quot; or &amp;quot;normal&amp;quot; settings it
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; is fairly subtle. I now use &amp;quot;high&amp;quot; as my default.
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; The corresponding ADR function available via the &amp;quot;retouch&amp;quot;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; menu is a fiercer beast, and produces very clear effects,
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; sometimes overdoing it. For one thing it immediately uses
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; up any headroom above highlights. And if there were
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; already a few &amp;quot;blown&amp;quot; areas, these will increase in size
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; a little. The shadow areas can also tend to become too
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; &amp;quot;thin&amp;quot; and grey. I reach for the black definition slider...
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; I have yet to do any stitching with/without these functions
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; and will report my experiences if and when I can make
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; sense of them.
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; You might like to note that separate settings for brightness
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; and contrast are not available if you choose one of the
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; Active D-Lighting options. D-lighting makes its own choices
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; for these.
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; Roger W.
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; --
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; Work: www.adex-japan.com
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt; Play: www.usefilm.com/member/roger
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; [Non-text portions of this message have been removed]
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; ------------------------------------
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; --
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; -- 
&lt;br&gt;&amp;gt; ------------
&lt;br&gt;&amp;gt; | A Y R |
&lt;br&gt;&amp;gt; | T O N |
&lt;br&gt;&amp;gt; ------------
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; + 55 21 9982 6313
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; &lt;a href=&quot;http://ayrton360.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://ayrton360.com&lt;/a&gt;&lt;br&gt;&amp;gt; &lt;a href=&quot;http://rio.360cities.net&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://rio.360cities.net&lt;/a&gt;&lt;br&gt;&amp;gt; &lt;a href=&quot;http://vrfolio.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://vrfolio.com&lt;/a&gt;&lt;br&gt;&amp;gt; &lt;a href=&quot;http://ayrton.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://ayrton.com&lt;/a&gt;&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; [Non-text portions of this message have been removed]
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; 
&lt;/div&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Willy Kaemena
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://homepage.mac.com/wkaemena/FSPanos/Menu268.html&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://homepage.mac.com/wkaemena/FSPanos/Menu268.html&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://bremen.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bremen.360cities.net/&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://syria.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://syria.360cities.net/&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://lisbon.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://lisbon.360cities.net/&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;[Non-text portions of this message have been removed]
&lt;br&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19327128</id>
	<title>Re: Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-05T01:36:04Z</published>
	<updated>2008-09-05T01:36:04Z</updated>
	<author>
		<name>Roger D. Williams</name>
	</author>
	<content type="html">On Fri, 05 Sep 2008 17:19:22 +0900, Peter Braatz &amp;lt;&lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19327128&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;panotools@...&lt;/a&gt;&amp;gt; &amp;nbsp;
&lt;br&gt;wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; Hi Roger,
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; i too was hoping to use &amp;quot;Active D-Lighting&amp;quot; on my D300 when it arrived &amp;nbsp;
&lt;br&gt;&amp;gt; to achieve a higher
&lt;br&gt;&amp;gt; dynamic range in a single image. BUT - to my understanding - it can or &amp;nbsp;
&lt;br&gt;&amp;gt; will not be used if
&lt;br&gt;&amp;gt; you take your images with manually setting the aperture and speed :-(
&lt;br&gt;&amp;gt; The camera measures the scene before recording the image (dynamic range, &amp;nbsp;
&lt;br&gt;&amp;gt; speed +
&lt;br&gt;&amp;gt; aperture) and will choose a (hopefully) right decision to conserve the &amp;nbsp;
&lt;br&gt;&amp;gt; maximum of details of
&lt;br&gt;&amp;gt; that scene. The camera can not do that when it is set to &amp;quot;M&amp;quot; (manual)...
&lt;br&gt;&amp;gt; So i rarely use that feature with panoramas - sigh...
&lt;/div&gt;&lt;br&gt;BumMER!
&lt;br&gt;&lt;br&gt;I noted that you cannot set contrast and brightness, as Active D-Lighting
&lt;br&gt;takes over those functions, but if it can't (or won't) help when you
&lt;br&gt;set aperture and speed manually, that's er, DISTINCTLY unhelpful.
&lt;br&gt;&lt;br&gt;I would have thought they'd let it do its best under all circumstances!
&lt;br&gt;Inscrutable are the ways of Nikon.
&lt;br&gt;&lt;br&gt;Roger.
&lt;br&gt;&lt;br&gt;&lt;br&gt;-- 
&lt;br&gt;Work: www.adex-japan.com
&lt;br&gt;Play: www.usefilm.com/member/roger
&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/More-thoughts-on-the-Nikon-D300%27s-Active-D-Lighting-tp19324969p19327128.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19327041</id>
	<title>Re: Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-05T01:30:21Z</published>
	<updated>2008-09-05T01:30:21Z</updated>
	<author>
		<name>Roger D. Williams</name>
	</author>
	<content type="html">On Fri, 05 Sep 2008 16:29:06 +0900, bohonus &amp;lt;&lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19327041&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;bradford@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; --- In &lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19327041&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;PanoToolsNG@...&lt;/a&gt;, &amp;quot;Roger D. Williams&amp;quot; &amp;lt;roger@...&amp;gt; &amp;nbsp;
&lt;br&gt;&amp;gt; wrote:
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; On Fri, 05 Sep 2008 15:44:55 +0900, bohonus &amp;lt;bradford@...&amp;gt; wrote:
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; So you WERE refering to the same thing. &amp;quot;Active&amp;quot; seems like it should be
&lt;br&gt;&amp;gt;&amp;gt; called &amp;quot;passive&amp;quot; since it applies equally to all images without
&lt;br&gt;&amp;gt; differen-
&lt;br&gt;&amp;gt;&amp;gt; tiating between them.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; It is called &amp;quot;active&amp;quot; because the camera's light meter and image
&lt;br&gt;&amp;gt; historgram reflect the results of the applied ADL while you are shooting.
&lt;/div&gt;&lt;br&gt;I see. That makes sense. How do you know all these things? I'm impressed.
&lt;br&gt;Of course, give me a few more days and I may learn a bit more... &amp;lt;wry grin&amp;gt;
&lt;br&gt;&lt;br&gt;Roger
&lt;br&gt;&lt;br&gt;-- 
&lt;br&gt;Work: www.adex-japan.com
&lt;br&gt;Play: www.usefilm.com/member/roger
&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19326900</id>
	<title>Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-05T01:19:22Z</published>
	<updated>2008-09-05T01:19:22Z</updated>
	<author>
		<name>Peter Braatz-2</name>
	</author>
	<content type="html">Hi Roger,
&lt;br&gt;i too was hoping to use &amp;quot;Active D-Lighting&amp;quot; on my D300 when it arrived to achieve a higher 
&lt;br&gt;dynamic range in a single image. BUT - to my understanding - it can or will not be used if 
&lt;br&gt;you take your images with manually setting the aperture and speed :-(
&lt;br&gt;The camera measures the scene before recording the image (dynamic range, speed + 
&lt;br&gt;aperture) and will choose a (hopefully) right decision to conserve the maximum of details of 
&lt;br&gt;that scene. The camera can not do that when it is set to &amp;quot;M&amp;quot; (manual)...
&lt;br&gt;So i rarely use that feature with panoramas - sigh...
&lt;br&gt;&lt;br&gt;Regards - Peter/360pixel.de
&lt;br&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/More-thoughts-on-the-Nikon-D300%27s-Active-D-Lighting-tp19324969p19326900.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19326268</id>
	<title>Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-05T00:29:06Z</published>
	<updated>2008-09-05T00:29:06Z</updated>
	<author>
		<name>bohonus</name>
	</author>
	<content type="html">--- In &lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19326268&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;PanoToolsNG@...&lt;/a&gt;, &amp;quot;Roger D. Williams&amp;quot; &amp;lt;roger@...&amp;gt; wrote:
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; On Fri, 05 Sep 2008 15:44:55 +0900, bohonus &amp;lt;bradford@...&amp;gt; wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; So you WERE refering to the same thing. &amp;quot;Active&amp;quot; seems like it should be
&lt;br&gt;&amp;gt; called &amp;quot;passive&amp;quot; since it applies equally to all images without
&lt;br&gt;differen-
&lt;br&gt;&amp;gt; tiating between them.
&lt;br&gt;&lt;br&gt;It is called &amp;quot;active&amp;quot; because the camera's light meter and image
&lt;br&gt;historgram reflect the results of the applied ADL while you are shooting.
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19325960</id>
	<title>Re: Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-05T00:00:35Z</published>
	<updated>2008-09-05T00:00:35Z</updated>
	<author>
		<name>Roger D. Williams</name>
	</author>
	<content type="html">On Fri, 05 Sep 2008 15:44:55 +0900, bohonus &amp;lt;&lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19325960&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;bradford@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; --- In &lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19325960&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;PanoToolsNG@...&lt;/a&gt;, &amp;quot;Roger D. Williams&amp;quot; &amp;lt;roger@...&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; If you turn on ADL in the camera (D300) you can always &amp;quot;turn it off&amp;quot;
&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; during RAW conversion in Capture NX. However, you cannot do the
&lt;br&gt;&amp;gt; reverse.
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; Well, you can if you shoot RAW. &amp;lt;grin&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; This is not the case. If you have Active D-Lighting turned off in the
&lt;br&gt;&amp;gt; camera, the option to use activate it is not available when working
&lt;br&gt;&amp;gt; with the raw file in Capture NX.
&lt;/div&gt;&lt;br&gt;Sorry for the misunderstanding, I was replying to the first part of
&lt;br&gt;your comment. I didn't understand what you meant after that.
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt;&amp;gt; &amp;gt; Keep in mind Active D-Lighting is very different from D-Lighting.
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; What do you mean? Are you referring to the difference between the
&lt;br&gt;&amp;gt; shooting
&lt;br&gt;&amp;gt;&amp;gt; opion and the retouching option? I think I have THAT straight. I can't
&lt;br&gt;&amp;gt;&amp;gt; think
&lt;br&gt;&amp;gt;&amp;gt; what else you might mean...
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Active D-Lighting acts more like an applied curve, in that it has the
&lt;br&gt;&amp;gt; same effect on all images regardless of content. D-Lighting is
&lt;br&gt;&amp;gt; calculated based on the content of the image, applying it in different
&lt;br&gt;&amp;gt; ways for each image. If you use D-Lighting on a group of images to be
&lt;br&gt;&amp;gt; stitched, you will find that they won't always match each other. Using
&lt;br&gt;&amp;gt; Active D-Lighting, they will.
&lt;/div&gt;&lt;br&gt;So you WERE refering to the same thing. &amp;quot;Active&amp;quot; seems like it should be
&lt;br&gt;called &amp;quot;passive&amp;quot; since it applies equally to all images without differen-
&lt;br&gt;tiating between them. I was pretty sure that what you say about D-Lighting
&lt;br&gt;would prove to be true, i.e., that it would affect different images
&lt;br&gt;differently. Hopefully the blend features in PTgui, which have frequently
&lt;br&gt;succeeded in producing acceptable panoramas for me despite wide disparities
&lt;br&gt;between adjacent shots caused by my ignorance or carelessness, will be
&lt;br&gt;able to cope with these differences.
&lt;br&gt;&lt;br&gt;Roger W.
&lt;br&gt;&lt;br&gt;-- 
&lt;br&gt;Work: www.adex-japan.com
&lt;br&gt;Play: www.usefilm.com/member/roger
&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19325781</id>
	<title>Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-04T23:44:55Z</published>
	<updated>2008-09-04T23:44:55Z</updated>
	<author>
		<name>bohonus</name>
	</author>
	<content type="html">--- In &lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19325781&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;PanoToolsNG@...&lt;/a&gt;, &amp;quot;Roger D. Williams&amp;quot; &amp;lt;roger@...&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; If you turn on ADL in the camera (D300) you can always &amp;quot;turn it off&amp;quot;
&lt;br&gt;&amp;gt; &amp;gt; during RAW conversion in Capture NX. However, you cannot do the
&lt;br&gt;reverse.
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; Well, you can if you shoot RAW. &amp;lt;grin&amp;gt;
&lt;br&gt;&lt;br&gt;&lt;br&gt;This is not the case. If you have Active D-Lighting turned off in the
&lt;br&gt;camera, the option to use activate it is not available when working
&lt;br&gt;with the raw file in Capture NX.
&lt;br&gt;&lt;br&gt;&lt;br&gt;&amp;gt; &amp;gt; Keep in mind Active D-Lighting is very different from D-Lighting.
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; What do you mean? Are you referring to the difference between the
&lt;br&gt;shooting
&lt;br&gt;&amp;gt; opion and the retouching option? I think I have THAT straight. I can't &amp;nbsp;
&lt;br&gt;&amp;gt; think
&lt;br&gt;&amp;gt; what else you might mean...
&lt;br&gt;&lt;br&gt;Active D-Lighting acts more like an applied curve, in that it has the
&lt;br&gt;same effect on all images regardless of content. D-Lighting is
&lt;br&gt;calculated based on the content of the image, applying it in different
&lt;br&gt;ways for each image. If you use D-Lighting on a group of images to be
&lt;br&gt;stitched, you will find that they won't always match each other. Using
&lt;br&gt;Active D-Lighting, they will.
&lt;br&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/More-thoughts-on-the-Nikon-D300%27s-Active-D-Lighting-tp19324969p19325781.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19325600</id>
	<title>Re: Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-04T23:29:04Z</published>
	<updated>2008-09-04T23:29:04Z</updated>
	<author>
		<name>Roger D. Williams</name>
	</author>
	<content type="html">On Fri, 05 Sep 2008 15:14:48 +0900, bohonus &amp;lt;&lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19325600&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;bradford@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; --- In &lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19325600&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;PanoToolsNG@...&lt;/a&gt;, AYRTON &amp;lt;avi@...&amp;gt; wrote:
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; PerfectI must agree with Willy for sure
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; best
&lt;br&gt;&amp;gt;&amp;gt; AYRTON
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; If you turn on ADL in the camera (D300) you can always &amp;quot;turn it off&amp;quot;
&lt;br&gt;&amp;gt; during RAW conversion in Capture NX. However, you cannot do the reverse.
&lt;/div&gt;&lt;br&gt;Well, you can if you shoot RAW. &amp;lt;grin&amp;gt;
&lt;br&gt;&lt;br&gt;&amp;gt; Keep in mind Active D-Lighting is very different from D-Lighting.
&lt;br&gt;&lt;br&gt;What do you mean? Are you referring to the difference between the shooting
&lt;br&gt;opion and the retouching option? I think I have THAT straight. I can't &amp;nbsp;
&lt;br&gt;think
&lt;br&gt;what else you might mean...
&lt;br&gt;&lt;br&gt;Roger W.
&lt;br&gt;&lt;br&gt;-- 
&lt;br&gt;Work: www.adex-japan.com
&lt;br&gt;Play: www.usefilm.com/member/roger
&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/More-thoughts-on-the-Nikon-D300%27s-Active-D-Lighting-tp19324969p19325600.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19325486</id>
	<title>Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-04T23:14:48Z</published>
	<updated>2008-09-04T23:14:48Z</updated>
	<author>
		<name>bohonus</name>
	</author>
	<content type="html">--- In &lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19325486&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;PanoToolsNG@...&lt;/a&gt;, AYRTON &amp;lt;avi@...&amp;gt; wrote:
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; PerfectI must agree with Willy for sure
&lt;br&gt;&amp;gt; 
&lt;br&gt;&amp;gt; best
&lt;br&gt;&amp;gt; AYRTON
&lt;br&gt;&lt;br&gt;&lt;br&gt;If you turn on ADL in the camera (D300) you can always &amp;quot;turn it off&amp;quot;
&lt;br&gt;during RAW conversion in Capture NX. However, you cannot do the reverse.
&lt;br&gt;&lt;br&gt;Keep in mind Active D-Lighting is very different from D-Lighting.
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/More-thoughts-on-the-Nikon-D300%27s-Active-D-Lighting-tp19324969p19325486.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19325352</id>
	<title>Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-04T22:58:27Z</published>
	<updated>2008-09-04T22:58:27Z</updated>
	<author>
		<name>Roger D. Williams</name>
	</author>
	<content type="html">On Fri, 05 Sep 2008 14:47:38 +0900, AYRTON &amp;lt;&lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19325352&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;avi@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; PerfectI must agree with Willy for sure
&lt;br&gt;&lt;br&gt;Can you briefly go over how it disappointed you in use?
&lt;br&gt;&lt;br&gt;I've asked Willy the same thing, as you both certainly
&lt;br&gt;know a lot more about panorama making than I do!
&lt;br&gt;&lt;br&gt;Roger
&lt;br&gt;&lt;br&gt;-- 
&lt;br&gt;Work: www.adex-japan.com
&lt;br&gt;Play: www.usefilm.com/member/roger
&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/More-thoughts-on-the-Nikon-D300%27s-Active-D-Lighting-tp19324969p19325352.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19325326</id>
	<title>Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-04T22:55:13Z</published>
	<updated>2008-09-04T22:55:13Z</updated>
	<author>
		<name>Roger D. Williams</name>
	</author>
	<content type="html">On Fri, 05 Sep 2008 14:24:53 +0900, &amp;lt;&lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19325326&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;panokaemena@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; My &amp;nbsp;personal opinion about &amp;nbsp;&amp;quot;ADR&amp;quot; &amp;nbsp;is better not to use it, in order
&lt;br&gt;&lt;br&gt;Have you given it a good work out? I'd be interested to
&lt;br&gt;hear more details of your experiences. I only got my camera
&lt;br&gt;the other day and the weather has been awful since...
&lt;br&gt;&lt;br&gt;&amp;gt; to get an &amp;nbsp;unaltered RAW which can be tweaked later in any way.
&lt;br&gt;&lt;br&gt;Well, you can still get RAW (ADR can be coupled with the
&lt;br&gt;RAW shooting option) and tweak it later if you need to. The
&lt;br&gt;main advantage I can see is that you have something closer
&lt;br&gt;to usable straight from the camera. It is only the very
&lt;br&gt;powerful RETOUCH tool that forces you into JPEG.
&lt;br&gt;&lt;br&gt;If it effectively increases the dynamic range, that seems to
&lt;br&gt;be a strong point in its favour. I hesitated over whether to
&lt;br&gt;get a Fujipro S5 (technology that is two year's old) because
&lt;br&gt;of the advantage in dynamic range. The D300 won out for
&lt;br&gt;various reasons but I was happy to see this ADR feature as,
&lt;br&gt;maybe, making up for the defects I found in the D200 with
&lt;br&gt;its narrow dynamic range. Of course I was coming from film,
&lt;br&gt;so probably nothing digital was going to satisfy me... &amp;lt;g&amp;gt;
&lt;br&gt;&lt;br&gt;&amp;gt; There are two ways for me to lighten shadows if required
&lt;br&gt;&amp;gt; - PS Raw converter &amp;quot; Fill light&amp;quot;
&lt;br&gt;&amp;gt; - PS Shadow/Highlight &amp;nbsp;function.
&lt;br&gt;&lt;br&gt;I like the &amp;quot;fill light&amp;quot; function, which works very well. I
&lt;br&gt;don't like to use the PS shadow/highlight function. I prefer
&lt;br&gt;to keep out of PS as far as possible. Too easy for me to get
&lt;br&gt;trapped in an unending downward spiral of adjustments that
&lt;br&gt;take me further and further away from the original image.
&lt;br&gt;&lt;br&gt;My hope (untested as yet) is that stitching of images produced
&lt;br&gt;using ADR will give good results with less pre- and post-
&lt;br&gt;processing.
&lt;br&gt;&lt;br&gt;Roger W.
&lt;br&gt;&lt;br&gt;-- 
&lt;br&gt;Work: www.adex-japan.com
&lt;br&gt;Play: www.usefilm.com/member/roger
&lt;br&gt;</content>
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</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19325277</id>
	<title>Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-04T22:47:38Z</published>
	<updated>2008-09-04T22:47:38Z</updated>
	<author>
		<name>AYRTON - avi</name>
	</author>
	<content type="html">PerfectI must agree with Willy for sure
&lt;br&gt;&lt;br&gt;best
&lt;br&gt;AYRTON
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;On Fri, Sep 5, 2008 at 2:24 AM, &amp;lt;&lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19325277&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;panokaemena@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; My &amp;nbsp;personal opinion about &amp;nbsp;&amp;quot;ADR&amp;quot; &amp;nbsp;is better not to use it, in order
&lt;br&gt;&amp;gt; to get an &amp;nbsp;unaltered RAW which can be tweaked later in any way.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; There are two ways for me to lighten shadows if required
&lt;br&gt;&amp;gt; - PS Raw converter &amp;quot; Fill light&amp;quot;
&lt;br&gt;&amp;gt; - PS Shadow/Highlight &amp;nbsp;function.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Willy Kaemena
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; &lt;a href=&quot;http://homepage.mac.com/wkaemena/FSPanos/Menu268.html&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://homepage.mac.com/wkaemena/FSPanos/Menu268.html&lt;/a&gt;&lt;br&gt;&amp;gt; &lt;a href=&quot;http://bremen.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bremen.360cities.net/&lt;/a&gt;&lt;br&gt;&amp;gt; &lt;a href=&quot;http://syria.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://syria.360cities.net/&lt;/a&gt;&lt;br&gt;&amp;gt; &lt;a href=&quot;http://lisbon.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://lisbon.360cities.net/&lt;/a&gt;&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; On Sep 5, 2008, at 7:05, Roger D. Williams wrote:
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; ...or as Ken Rockwell prefers to call it, ADR.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; It seems that the ADR function selected using the shooting
&lt;br&gt;&amp;gt; &amp;gt; memory IS active and DOES produce noticeably brighter shadow
&lt;br&gt;&amp;gt; &amp;gt; areas, effectively enhancing the ability to capture images
&lt;br&gt;&amp;gt; &amp;gt; of subjects with a wide dynamic range. To my mind, this
&lt;br&gt;&amp;gt; &amp;gt; makes the resulting images have a COMPRESSED dynamic range,
&lt;br&gt;&amp;gt; &amp;gt; but everyone seems to apply the term that actually refers
&lt;br&gt;&amp;gt; &amp;gt; to the subject to the IMAGE of the subject instead...
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; I'll abandon that quibble, though, since it's preety clear
&lt;br&gt;&amp;gt; &amp;gt; what we mean by &amp;quot;high dynamic range.&amp;quot;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; There seem to be two things going on. The exposure as a
&lt;br&gt;&amp;gt; &amp;gt; whole is shifted to a lower value than would normally be
&lt;br&gt;&amp;gt; &amp;gt; set, e.g., by the exposure program, giving more &amp;quot;head
&lt;br&gt;&amp;gt; &amp;gt; room&amp;quot; above the highlights, while at the same time the
&lt;br&gt;&amp;gt; &amp;gt; darker areas are slightly boosted.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; The visibility of this effect varies quite widely for
&lt;br&gt;&amp;gt; &amp;gt; different subjects, but at &amp;quot;low&amp;quot; or &amp;quot;normal&amp;quot; settings it
&lt;br&gt;&amp;gt; &amp;gt; is fairly subtle. I now use &amp;quot;high&amp;quot; as my default.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; The corresponding ADR function available via the &amp;quot;retouch&amp;quot;
&lt;br&gt;&amp;gt; &amp;gt; menu is a fiercer beast, and produces very clear effects,
&lt;br&gt;&amp;gt; &amp;gt; sometimes overdoing it. For one thing it immediately uses
&lt;br&gt;&amp;gt; &amp;gt; up any headroom above highlights. And if there were
&lt;br&gt;&amp;gt; &amp;gt; already a few &amp;quot;blown&amp;quot; areas, these will increase in size
&lt;br&gt;&amp;gt; &amp;gt; a little. The shadow areas can also tend to become too
&lt;br&gt;&amp;gt; &amp;gt; &amp;quot;thin&amp;quot; and grey. I reach for the black definition slider...
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; I have yet to do any stitching with/without these functions
&lt;br&gt;&amp;gt; &amp;gt; and will report my experiences if and when I can make
&lt;br&gt;&amp;gt; &amp;gt; sense of them.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; You might like to note that separate settings for brightness
&lt;br&gt;&amp;gt; &amp;gt; and contrast are not available if you choose one of the
&lt;br&gt;&amp;gt; &amp;gt; Active D-Lighting options. D-lighting makes its own choices
&lt;br&gt;&amp;gt; &amp;gt; for these.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; Roger W.
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt; --
&lt;br&gt;&amp;gt; &amp;gt; Work: www.adex-japan.com
&lt;br&gt;&amp;gt; &amp;gt; Play: www.usefilm.com/member/roger
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt; &amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; [Non-text portions of this message have been removed]
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; ------------------------------------
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; --
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;/div&gt;&lt;br&gt;&lt;br&gt;-- 
&lt;br&gt;------------
&lt;br&gt;| A Y R |
&lt;br&gt;| T O N |
&lt;br&gt;------------
&lt;br&gt;&lt;br&gt;+ 55 21 9982 6313
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://ayrton360.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://ayrton360.com&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://rio.360cities.net&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://rio.360cities.net&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://vrfolio.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://vrfolio.com&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://ayrton.com&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://ayrton.com&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;[Non-text portions of this message have been removed]
&lt;br&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/More-thoughts-on-the-Nikon-D300%27s-Active-D-Lighting-tp19324969p19325277.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19325159</id>
	<title>Re: ... another aerial pano</title>
	<published>2008-09-04T22:33:41Z</published>
	<updated>2008-09-04T22:33:41Z</updated>
	<author>
		<name>Fung Yu</name>
	</author>
	<content type="html">&lt;br&gt;Ahh... ehh... wtf!?? Darn! Sorry for the expletives folks,
&lt;br&gt;I'm actually lost for words! ;-)
&lt;br&gt;&lt;br&gt;I wonder when we have commercial anti-gravity belts
&lt;br&gt;available?
&lt;br&gt;&lt;br&gt;Congrads Bernd!
&lt;br&gt;&lt;br&gt;At 03:54 PM 9/4/2008, you wrote:
&lt;br&gt;&lt;br&gt;&amp;gt;Hi folks,
&lt;br&gt;&amp;gt;I'm very happy to show you another aerial pano from last weekend.
&lt;br&gt;&amp;gt;It was shot outside a propeller plane, a Boeing Stearman.
&lt;br&gt;&amp;gt;&amp;lt;&lt;a href=&quot;http://www.360bilder.de/html/vr_stearman1.htm&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.360bilder.de/html/vr_stearman1.htm&lt;/a&gt;&amp;gt;&lt;a href=&quot;http://www.360bilder.de/html/vr_stearman1.htm&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.360bilder.de/html/vr_stearman1.htm&lt;/a&gt;&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;Have fun
&lt;br&gt;&amp;gt;Bernd
&lt;br&gt;&amp;gt;&amp;lt;&lt;a href=&quot;http://www.360Bilder.de&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.360Bilder.de&lt;/a&gt;&amp;gt;&lt;a href=&quot;http://www.360Bilder.de&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://www.360Bilder.de&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;[Non-text portions of this message have been removed]
&lt;br&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/...-another-aerial-pano-tp19305297p19325159.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19325105</id>
	<title>Re: More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-04T22:24:53Z</published>
	<updated>2008-09-04T22:24:53Z</updated>
	<author>
		<name>panokaemena</name>
	</author>
	<content type="html">My &amp;nbsp;personal opinion about &amp;nbsp;&amp;quot;ADR&amp;quot; &amp;nbsp;is better not to use it, in order &amp;nbsp;
&lt;br&gt;to get an &amp;nbsp;unaltered RAW which can be tweaked later in any way.
&lt;br&gt;&lt;br&gt;There are two ways for me to lighten shadows if required
&lt;br&gt;- PS Raw converter &amp;quot; Fill light&amp;quot;
&lt;br&gt;- PS Shadow/Highlight &amp;nbsp;function.
&lt;br&gt;&lt;br&gt;Willy Kaemena
&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://homepage.mac.com/wkaemena/FSPanos/Menu268.html&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://homepage.mac.com/wkaemena/FSPanos/Menu268.html&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://bremen.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://bremen.360cities.net/&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://syria.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://syria.360cities.net/&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://lisbon.360cities.net/&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://lisbon.360cities.net/&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;On Sep 5, 2008, at 7:05, Roger D. Williams wrote:
&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt; ...or as Ken Rockwell prefers to call it, ADR.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; It seems that the ADR function selected using the shooting
&lt;br&gt;&amp;gt; memory IS active and DOES produce noticeably brighter shadow
&lt;br&gt;&amp;gt; areas, effectively enhancing the ability to capture images
&lt;br&gt;&amp;gt; of subjects with a wide dynamic range. To my mind, this
&lt;br&gt;&amp;gt; makes the resulting images have a COMPRESSED dynamic range,
&lt;br&gt;&amp;gt; but everyone seems to apply the term that actually refers
&lt;br&gt;&amp;gt; to the subject to the IMAGE of the subject instead...
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; I'll abandon that quibble, though, since it's preety clear
&lt;br&gt;&amp;gt; what we mean by &amp;quot;high dynamic range.&amp;quot;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; There seem to be two things going on. The exposure as a
&lt;br&gt;&amp;gt; whole is shifted to a lower value than would normally be
&lt;br&gt;&amp;gt; set, e.g., by the exposure program, giving more &amp;quot;head
&lt;br&gt;&amp;gt; room&amp;quot; above the highlights, while at the same time the
&lt;br&gt;&amp;gt; darker areas are slightly boosted.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; The visibility of this effect varies quite widely for
&lt;br&gt;&amp;gt; different subjects, but at &amp;quot;low&amp;quot; or &amp;quot;normal&amp;quot; settings it
&lt;br&gt;&amp;gt; is fairly subtle. I now use &amp;quot;high&amp;quot; as my default.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; The corresponding ADR function available via the &amp;quot;retouch&amp;quot;
&lt;br&gt;&amp;gt; menu is a fiercer beast, and produces very clear effects,
&lt;br&gt;&amp;gt; sometimes overdoing it. For one thing it immediately uses
&lt;br&gt;&amp;gt; up any headroom above highlights. And if there were
&lt;br&gt;&amp;gt; already a few &amp;quot;blown&amp;quot; areas, these will increase in size
&lt;br&gt;&amp;gt; a little. The shadow areas can also tend to become too
&lt;br&gt;&amp;gt; &amp;quot;thin&amp;quot; and grey. I reach for the black definition slider...
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; I have yet to do any stitching with/without these functions
&lt;br&gt;&amp;gt; and will report my experiences if and when I can make
&lt;br&gt;&amp;gt; sense of them.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; You might like to note that separate settings for brightness
&lt;br&gt;&amp;gt; and contrast are not available if you choose one of the
&lt;br&gt;&amp;gt; Active D-Lighting options. D-lighting makes its own choices
&lt;br&gt;&amp;gt; for these.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Roger W.
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; -- 
&lt;br&gt;&amp;gt; Work: www.adex-japan.com
&lt;br&gt;&amp;gt; Play: www.usefilm.com/member/roger
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; 
&lt;/div&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;[Non-text portions of this message have been removed]
&lt;br&gt;&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/More-thoughts-on-the-Nikon-D300%27s-Active-D-Lighting-tp19324969p19325105.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19324969</id>
	<title>More thoughts on the Nikon D300's Active D-Lighting</title>
	<published>2008-09-04T22:05:45Z</published>
	<updated>2008-09-04T22:05:45Z</updated>
	<author>
		<name>Roger D. Williams</name>
	</author>
	<content type="html">...or as Ken Rockwell prefers to call it, ADR.
&lt;br&gt;&lt;br&gt;It seems that the ADR function selected using the shooting
&lt;br&gt;memory IS active and DOES produce noticeably brighter shadow
&lt;br&gt;areas, effectively enhancing the ability to capture images
&lt;br&gt;of subjects with a wide dynamic range. To my mind, this
&lt;br&gt;makes the resulting images have a COMPRESSED dynamic range,
&lt;br&gt;but everyone seems to apply the term that actually refers
&lt;br&gt;to the subject to the IMAGE of the subject instead...
&lt;br&gt;&lt;br&gt;I'll abandon that quibble, though, since it's preety clear
&lt;br&gt;what we mean by &amp;quot;high dynamic range.&amp;quot;
&lt;br&gt;&lt;br&gt;There seem to be two things going on. The exposure as a
&lt;br&gt;whole is shifted to a lower value than would normally be
&lt;br&gt;set, e.g., by the exposure program, giving more &amp;quot;head
&lt;br&gt;room&amp;quot; above the highlights, while at the same time the
&lt;br&gt;darker areas are slightly boosted.
&lt;br&gt;&lt;br&gt;The visibility of this effect varies quite widely for
&lt;br&gt;different subjects, but at &amp;quot;low&amp;quot; or &amp;quot;normal&amp;quot; settings it
&lt;br&gt;is fairly subtle. I now use &amp;quot;high&amp;quot; as my default.
&lt;br&gt;&lt;br&gt;The corresponding ADR function available via the &amp;quot;retouch&amp;quot;
&lt;br&gt;menu is a fiercer beast, and produces very clear effects,
&lt;br&gt;sometimes overdoing it. For one thing it immediately uses
&lt;br&gt;up any headroom above highlights. And if there were
&lt;br&gt;already a few &amp;quot;blown&amp;quot; areas, these will increase in size
&lt;br&gt;a little. The shadow areas can also tend to become too
&lt;br&gt;&amp;quot;thin&amp;quot; and grey. I reach for the black definition slider...
&lt;br&gt;&lt;br&gt;I have yet to do any stitching with/without these functions
&lt;br&gt;and will report my experiences if and when I can make
&lt;br&gt;sense of them.
&lt;br&gt;&lt;br&gt;You might like to note that separate settings for brightness
&lt;br&gt;and contrast are not available if you choose one of the
&lt;br&gt;Active D-Lighting options. D-lighting makes its own choices
&lt;br&gt;for these.
&lt;br&gt;&lt;br&gt;Roger W.
&lt;br&gt;&lt;br&gt;-- 
&lt;br&gt;Work: www.adex-japan.com
&lt;br&gt;Play: www.usefilm.com/member/roger
&lt;br&gt;</content>
	<link rel="alternate" type="text/html" href="http://www.nabble.com/More-thoughts-on-the-Nikon-D300%27s-Active-D-Lighting-tp19324969p19324969.html" />
</entry>

<entry>
	<id>tag:www.nabble.com,2006:post-19319743</id>
	<title>Re: Flying on Rio ...</title>
	<published>2008-09-04T13:52:45Z</published>
	<updated>2008-09-04T13:52:45Z</updated>
	<author>
		<name>AYRTON - avi</name>
	</author>
	<content type="html">On Thu, Sep 4, 2008 at 5:50 PM, Manny Gonzalez &amp;lt;&lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19319743&amp;i=0&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;manny@...&lt;/a&gt;&amp;gt; wrote:
&lt;br&gt;&lt;br&gt;&amp;gt; Ayrton,
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Very nice pano, as always :-)
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; But I hate to tell you, 3 prop helicopters, in the configuration shown on
&lt;br&gt;&amp;gt; your pano, would crash immediately :-)
&lt;br&gt;&amp;gt;
&lt;br&gt;&lt;br&gt;Yeahhh I know I have to remake it &amp;nbsp;:-)
&lt;br&gt;BUT it was only a 2 blades model &amp;nbsp;:-)
&lt;br&gt;&lt;br&gt;best
&lt;br&gt;AYRTON
&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;div class='shrinkable-quote'&gt;&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; Cheers
&lt;br&gt;&amp;gt; Manny
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt; 2008/9/3 AYRTON &amp;lt;&lt;a href=&quot;http://www.nabble.com/user/SendEmail.jtp?type=post&amp;post=19319743&amp;i=1&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;avi@...&lt;/a&gt;&amp;gt;
&lt;br&gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; Just a nice view over Rio ...
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; &amp;lt;&lt;a href=&quot;http://tinyurl.com/6452kp&quot; target=&quot;_top&quot; rel=&quot;nofollow&quot;&gt;http://tinyurl.com/6452kp&lt;/a&gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; best
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; ------------
&lt;br&gt;&amp;gt;&amp;gt; | A Y R |
&lt;br&gt;&amp;gt;&amp;gt; | T O N |
&lt;br&gt;&amp;gt;&amp;gt; ------------
&lt;br&gt;&amp;gt;&amp;gt;
&lt;br&gt;&amp;gt;&amp;gt; + 55 21 9982 6313
&lt;br&gt;&amp;gt;&amp;gt;
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