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MusicXMLHi all,
Has anyone tried using the MusicXML stuff in Ctk? I'm thinking about making some changes, and need to know if I need to document what is changing. Multi-voice parts and beaming will be possible very soon. Thanks, Josh ****************************************** Joshua Parmenter University of Washington Center for Digital Arts and Experimental Media Seattle, Washington 98195 http://www.realizedsound.net/josh/ http://www.dxarts.washington.edu _______________________________________________ sc-users mailing list info (subscribe and unsubscribe): http://swiki.hfbk-hamburg.de:8888/MusicTechnology/880 archive: http://www.listarc.bham.ac.uk/marchives/sc-users/ search: http://www.listarc.bham.ac.uk/lists/sc-users/search/ |
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Re: MusicXMLHi Morales.
Thanks for the feedback. I'm going to be working on slurs ands other markings that encompass many notes next (crescendos as well)... thanks! One thing that I think will be changing is the XMLVoice class. I am going to make a new one called XMLPart that can take a number of XMLVoices (allowing for multi-voice music in a single line). So the interface is going to change a little. I think it will also make slurs and other markings easier as well. More soon... josh On Jul 10, 2008, at 10:30 AM, MORALES MANZANARES ROBERTO wrote: > > Hi Josh > > I have try it and it will be my ideal solution for what I am working > in > algorithmic composition. > > Some thing I might suggest as a wish list is to have slurs > representation for > the metric values in a list . > > ........ > > z.add(y = XMLVoice(meter: XMLMeter(4, 4), key: XMLKey.major(\Bf))); > // create a B-flat major scale in quarter notes > // uses XMLVoice's internal 'clock' to keep track of beats > [[58,\q], [60,\s], [62,\s], [63,\e], [65,\q], [67,\e], > > [69,[\e,\h]], // e and h with slur > > [70,\q]].do({arg keynum; > y.add(XMLNote(keynum[0], y.now, keynum[1])) > }); > > roberto > > On Jul 9, 2008, at 9:11 PM, Joshua Parmenter wrote: > > Hi all, > > Has anyone tried using the MusicXML stuff in Ctk? I'm thinking about > making > some changes, and need to know if I need to document what is changing. > > Multi-voice parts and beaming will be possible very soon. > > Thanks, > > Josh > > ****************************************** > Joshua Parmenter > University of Washington > Center for Digital Arts and Experimental Media > Seattle, Washington 98195 > > http://www.realizedsound.net/josh/ > http://www.dxarts.washington.edu > > > > > > _______________________________________________ > sc-users mailing list > > info (subscribe and unsubscribe): > http://swiki.hfbk-hamburg.de:8888/MusicTechnology/880 > archive: http://www.listarc.bham.ac.uk/marchives/sc-users/ > search: http://www.listarc.bham.ac.uk/lists/sc-users/search/ > > -- > Open WebMail Project (http://openwebmail.org) > > > _______________________________________________ > sc-users mailing list > > info (subscribe and unsubscribe): http://swiki.hfbk-hamburg.de:8888/MusicTechnology/880 > archive: http://www.listarc.bham.ac.uk/marchives/sc-users/ > search: http://www.listarc.bham.ac.uk/lists/sc-users/search/ ****************************************** /* Joshua D. Parmenter http://www.realizedsound.net/josh/ “Every composer – at all times and in all cases – gives his own interpretation of how modern society is structured: whether actively or passively, consciously or unconsciously, he makes choices in this regard. He may be conservative or he may subject himself to continual renewal; or he may strive for a revolutionary, historical or social palingenesis." - Luigi Nono */ _______________________________________________ sc-users mailing list info (subscribe and unsubscribe): http://swiki.hfbk-hamburg.de:8888/MusicTechnology/880 archive: http://www.listarc.bham.ac.uk/marchives/sc-users/ search: http://www.listarc.bham.ac.uk/lists/sc-users/search/ |
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